Reverse of late 16th century painting of Sir Christopher Hatton
Sir Christopher Hatton was born into a wealthy family in Northamptonshire in 1540, he studied at Oxford and entered the Inner Temple, a professional law association, in 1560. Dancing at a Masque Ball for the Inner Temple, he attracted the attention of Queen Elizabeth I with his fine footwork and became known as the Dancing Chancellor. Hatton rose through court circles to positions of power and was favoured by the Queen, who showered him with gifts of land and gold. Their close relationship fuelled gossip and Mary Queen of Scots alleged that they were lovers. In 1583 Hatton began the building of Holdenby House which was at the time the largest privately owned Elizabethan house in England, as large as Hampton Court Palace.
Hatton’s portrait is encircled by signs of the zodiac and planets portrayed as classical gods, creating a horoscope chart of a specific date and time. This has been identified as Tuesday 12 December 1581. Hatton’s palatial estate at Holdenby was completed in 1581, it is possible that the painting was commissioned to celebrate its completion and intended for display there. The rear of the painting is dedicated to the theme of time, with a winged figure called Tempus (Latin for time) standing on clouds above a series of symbols representing the passing of time.
Number 50 of the objects selected for the A History of Northamptonshire in 100 Objects exhibition 2025.
The Royal Theatre Safety Curtain, painted in 1978 by Northampton-based artist Sir Henry Bird, is both a vital safety feature and a striking work of art.
A commissioned painting of Langar (Free Community Kitchen) by SCCYC SMN by Artistic Seva, Slough, demonstrating the value of Community & Equality. The painting showing communities from all faiths and castes cooking together, eating side by side on the floor and washing up together. Chosen as part of the extended exhibtion Beyond the 100 in 2025/26.
© NMAG
© NMAG
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Photo by Marc Brenner
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NMAG
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NMAG